ENGLISHWRITING FOLIO2010 CHECKLIST / REMINDERS First person storey authentic VOICE, natural metre (not laboured/contrived/artificial) Openings reference, place, object, observe action, thoughtful comment Patterning of voice communication for effect Variation in execrations the for wee-weeful, pithy sentence to close down a paragraph Single words can be effective Visual layout the short paragraph, even single lines pattern by dint of the piece Dialogue needs to be purpose-built (other voices to reveal character? a tense moment?) Fragments of wrangle work stop gives another voice (eg Grandmas mantras) VERBS be the gritstone of a sentence strong verbs price a handgrip of adjectives as an embellishment. Language - IMAGERY, level, expressive / fanciful use of language, fluency, flow recital: events are the skeleton/ feelings are the muscle and heart of a allegory Event control narratives are not effective no sense of an internal world of characters Melodrama to be avoided tragic accidents, shameful relationships, drug addiction, alcoholic drink addiction ie driven by events to a prisonbreak big to be seekd; lacks credibility Time frame the firm time frame may be expansive nevertheless the PRESENT TIME OF record should not be.

Life taradiddle becomes a chronicle of events (birth to death in 900 words likewise big a canvas) SOI confusion between TASK and excrete a bead on think of the theme - to explore. Weak endings RESOLUTION should fall out from the narrative characters motives, feelings, actions. giv e of closely observed incidental detail to g! ive livelihood to the narrative people are not in isolation from their surroundings and what is going on nearly them. FICTIONAL NARRATIVE needs to show the conventions of a short story: characterisation, circumstance or location, story line, resolution a narrative with a sense of purpose and direction / points of tenseness some emotional range / a story which unfolds signals...If you indirect request to get a full essay, order it on our website:
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