Tuesday, December 11, 2018
'Analysis of Report to Wordsworth\r'
'Report to Wordsworth, a poesy by Boey Kim Cheng, is one that speaks of the caterpillar tread of destruction through temper that man is leaving basis him. I in person look the verse powerful and extremely convincing, in the sense that it manages to quarrel the contributor precise objectively. ââ¬ËYou should be hither, Nature has need of youââ¬â¢ involves the indorser directly, and the use of a ceiling letter personifies nature in much(prenominal) a trend it makes one feel her pain.\r\nThe pastime attracts atomic number 18 significantly symbolic, as the words ââ¬Ësky decelerationââ¬â¢ can be construe as the public itself play much slower than before, the liveness and vibrancy leaking out of it. The reservoir to a ââ¬Ëdying quantifyââ¬â¢ may make the reader believe that nature has very limited time rest and that death is at its doorstep. ââ¬Ë strangled by the smogââ¬â¢, this line refers directly to, I believe, the damaging smoke and g ases that spoil our air, literally smothering us.\r\nThis description has the gallant effect of creating a relish of suffocation, accurately reflecting the idea that is assay to be communicated. References to the great antediluvian Greek gods of the seas, genus Proteus and triton create an incredible effect, notably the one that depicts two of the most(prenominal) powerful universes in public struggling and suffering at the hands of man. ââ¬ËAll hopes of Proteus rising from the sea deport sunkââ¬â¢, this direct allusion to the loads of pollution man creates is peculiarly strong as it sends a message along the lines: our oceans atomic number 18 so polluted unconstipated the sea god is coerce away.\r\nTritonââ¬â¢s notes peel to be freeââ¬Â¦horns are choked, his eyes are blindââ¬â¢ The idea of man universe able to cause such suffering to the gods themselves emphasises all the more than the idea of them causing commodious destruction to nature. ââ¬ËNe ptune lies helpless as a beach whale, season quenchless man moves in for the killââ¬â¢; the adjective ââ¬Ëinsatiateââ¬â¢ depicts man as cosmos merciless and cruel. The following lines may be interpreted from the stage of view of poets, who often amaze and write of what they see or so them, watching the ocean, or encompassing fields of green countryside.\r\nThey are now failing as these things that were once so charming are slowly beingness destroyed. Cheng here presents an interesting image, notably that of a ââ¬Ëwound increase in the skyââ¬â¢, which personally makes me think of our ozone layer acquiring worn away by pollution, leaving the world at mercy. There is also here a discreet allusion to the poesy Composed upon Westminster Bridge, the verse by William Wordsworth (Chengââ¬â¢s poem is a response to this particular pitch of work).\r\n idol is labouring to declare his last cryââ¬â¢ is, I find, the perfect ending to the poem, as it once again a lludes to God himself struggling against what man has caused to the world. The poemââ¬â¢s tone is easily morose, along with a cycles/second that I would compare to a funeral march. The atmosphere is quite slurred and the voice could be that of surrender, as the poet does not indicate both possibility of mankind being capable of turning this point around. I feel that this poem can be morally challenging and is very lucky in making us understand the gravity of the worldââ¬â¢s condition.\r\n'
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