A Feminist Journey through Beethovens Musical Structure Essay

A Feminist Journey through Beethovens tuneful StructureTraditional analysis of Beethovens use of Sonata Allegro form tends to think on harmonic or melodic movement and key relationships. This news report stretches such investigations to include questions of historical context and philosophic motivations that drive a com stickr to structure music in a certain way. Ultimately this leads to an research about how these traditions affect us as listeners, and more specifically how they refer to gender issues in a musical tradition primarily make up of male composers.Music of the 1700s is often characterized as highly structure and balanced. A favorite form for pieces of many kinds was the sonata form, which relies heavily on the prefatorial movement between different tonalities (especially tonic and dominant or relation back major). Ludwig van Beethoven wrote over 30 sonatas for piano alone and use the structure for symphonies and many other instrumental works. Most other composers of the Hellenic time period also used sonata form, and music historians have exhausted much time discussing why this might be so. Some historians pose this question strictly within a musical world How did before musical structures give rise to sonata form? Others ask what it was in the skirt historical context that made sonata form appealing.William Henry Hadow and Charles blushn are deuce historians who talk primarily about musical context. Hadow sets his discussion in the fabric of classical composers movement away from Baroque forms. He says that when Beethoven and his generation chose ternary form over Baroque binary, typified in the dance suite, they chose a structure that was then used successfully into the twentieth century. This was only poss... ...s in history. Works CitedAbbate, Carolyn. Unsung Voices Opera and Musical Narrative in the 19thCentury. Princeton Princeton University Press, 1991.Ballantine, Christopher. Beethoven, Hegel and Marx. Music Review. Vol. 33 , 1972.Drake, Kenneth. The Beethoven Sonatas and the Creative Experience. IndianapolisIndiana University Press, 1994.Hadow, William Henry. Sonata Form. London Novello and Company, Limited, 1979.McClary, Susan. womanish Endings Music, Gender, and Sexuality. Minneapolis University of Minnesota Press, 1991.Mann, Thomas. Doctor Faustus. New York Alfred A. Knopf, 1948.Rosen, Charles. The Classical Style Haydn, Mozart, Beethoven. New York The Viking Press, 1971.Subotnik, Rose Rosengard. Developing Variations Style and Ideology in Western Music. Minneapolis University of Minnesota Press, 1991.